{"id":34084,"date":"2020-06-06T13:48:21","date_gmt":"2020-06-06T10:48:21","guid":{"rendered":"https:\/\/serialreaders.com\/blog\/?p=34084"},"modified":"2020-06-11T12:41:05","modified_gmt":"2020-06-11T09:41:05","slug":"biblioteca-din-paris-fragment-in-avanpremiera","status":"publish","type":"post","link":"https:\/\/serialreaders.com\/blog\/biblioteca-din-paris-fragment-in-avanpremiera\/","title":{"rendered":"Biblioteca din Paris (fragment \u00een avanpremier\u0103)"},"content":{"rendered":"\n

V\u0103 anun\u021b\u0103m apari\u021bia unui nou titlu de neratat \u00een colec\u021bia Blue Moon a editurii Litera – Biblioteca din Paris<\/strong>, de Janet Skeslien Charles. Cu a\u015fa titlu (bibliotec\u0103? Paris?) \u015fi a\u015fa copert\u0103 (Paris din nou), se \u00een\u0163elege de la sine ner\u0103bdarea cu care a\u015ftept\u0103m aceast\u0103 carte. \u015ei dac\u0103 tot nu sunte\u0163i convin\u015fi c\u0103 merit\u0103 citit\u0103, avem pentru voi un fragment \u00een avanpremier\u0103.<\/p>\n\n\n\n

Paris, 1939. T\u00e2n\u0103ra \u0219i ambi\u021bioasa Odile Souchet are tot ce \u0219i-a dorit: iubitul ei este un ofi\u021ber de poli\u021bie ar\u0103tos, iar slujba de la Biblioteca American\u0103 din Paris este visul vie\u021bii ei profesionale. Dar c\u00e2nd nazi\u0219tii m\u0103r\u0219\u0103luiesc \u00een ora\u0219ul ei, Odile poate pierde tot ce are mai drag, inclusiv mult iubita ei bibliotec\u0103. \u00cempreun\u0103 cu mai multe bibliotecare, Odile devine membr\u0103 a Rezisten\u021bei \u0219i lupt\u0103 cu armele pe care le are la \u00eendem\u00e2n\u0103: c\u0103r\u021bile. Dar c\u00e2nd r\u0103zboiul se termin\u0103, \u00een loc de libertate, Odile are parte de am\u0103r\u0103ciunea unei tr\u0103d\u0103ri incredibile.<\/em><\/p>\n\n\n\n

\"Biblioteca<\/figure><\/div>\n\n\n\n


Montana, 1983. Lily este o adolescent\u0103 singuratic\u0103, \u00een c\u0103utarea unei vie\u021bi mai palpitante \u00een or\u0103\u0219elul ei din Montana. O vecin\u0103 \u00een v\u00e2rst\u0103, care tr\u0103ie\u0219te izolat\u0103, \u00eei st\u00e2rne\u0219te interesul. Pe c\u00e2nd Lily descoper\u0103 mai multe despre trecutul misterios al vecinei, afl\u0103 c\u0103 \u00eemp\u0103rt\u0103\u0219esc am\u00e2ndou\u0103 dragostea pentru literatur\u0103, c\u0103 au acelea\u0219i visuri \u0219i c\u0103 sunt geloase pe acelea\u0219i lucruri, f\u0103r\u0103 s\u0103 b\u0103nuiasc\u0103 secretul \u00eentunecat care le leag\u0103.
Un roman foarte bine scris, care exploreaz\u0103 consecin\u021bele alegerilor noastre \u0219i ale rela\u021biilor care ne fac s\u0103 fim cine suntem, Biblioteca din Paris prezint\u0103 eroismul extraordinar care se poate reg\u0103si uneori \u00een locurile cele mai lini\u0219tite.<\/em><\/p>\n\n\n\n

\u201eO imagine mai pu\u021bin cunoscut\u0103 a Fran\u021bei \u00een timpul celui de-al Doilea R\u0103zboi Mondial care le va pl\u0103cea bibliofililor din \u00eentreaga lume. Chiar de la primele pagini m-am \u00eendr\u0103gostit de personajele Odile \u0219i Lily, cu luptele interioare \u0219i succesele lor. Produsul unei cercet\u0103ri meticuloase, Biblioteca din Paris este o lectur\u0103 irezistibil\u0103, extrem de conving\u0103toare.\u201c – Fiona Davis  <\/p>\n\n\n\n

Janet\nSkeslien Charles este autoarea c\u0103r\u021bii premiate Moonlight in Odessa, care a fost\npublicat\u0103 \u00een zece limbi. Scrierile ei de mai mic\u0103 \u00eentindere au ap\u0103rut, printre\naltele, \u00een revista literar\u0103 Slice \u0219i \u00een antologia\nMontana Noir. Janet a devenit interesat\u0103 prima oar\u0103 de incredibila poveste\nadev\u0103rat\u0103 a bibliotecarilor care l\u2011au \u00eenfruntat pe nazistul \u201eProtector al\nbibliotecilor\u201c c\u00e2nd a lucrat \u00een calitate de manager de proiecte la Biblioteca\nAmerican\u0103 din Paris. Romanul ei, Biblioteca din Paris, va fi publicat \u00een\ndou\u0103zeci de limbi. Autoarea \u00ee\u0219i \u00eemparte timpul \u00eentre Montana \u0219i Paris.<\/p>\n\n\n\n

Cartea este disponibila pe siteul editurii Litera<\/a>.<\/strong><\/p><\/blockquote>\n\n\n\n

Biblioteca din Paris, de Janet Skeslien Charles (fragment \u00een avanpremier\u0103)<\/strong><\/h1>\n\n\n\n

Traducere din limba englez\u0103 \u0219i note: <\/em>SIMONA S\u0102S\u0102RMAN<\/em><\/p>\n\n\n\n

Odile<\/strong><\/p>\n\n\n\n

Capitolul 1<\/strong><\/p>\n\n\n\n

Paris, februarie 1939<\/p>\n\n\n\n

Numerele \u00eemi pluteau \u00een jurul\ncapului precum stelele. 823. Numerele erau cheia unei vie\u021bi noi. 822.\nConstela\u021bii ale speran\u021bei. 841. Seara t\u00e2rziu \u00een dormitorul meu, diminea\u021ba, \u00een\ndrumul pe care\u2011l str\u0103b\u0103team ca s\u0103 cump\u0103r croasan\u021bi, serii, unele dup\u0103 altele \u2013\n810, 840, 890 \u2013 mi se formau \u00een fa\u021ba ochilor. Reprezentau libertatea, viitorul.\n\u00cempreun\u0103 cu numerele studiasem istoria bibliotecilor, \u00eencep\u00e2nd cu anul 1500. \u00cen\ntimp ce \u00een Anglia Henric al VIII\u2011lea era ocupat s\u0103\u2011\u0219i decapiteze nevestele,\nregele Francisc al Fran\u021bei \u00ee\u0219i moderniza biblioteca, la care le\u2011a dat acces \u00eenv\u0103\u021ba\u021bilor\ndin vremea lui. Aceast\u0103 colec\u021bie regal\u0103 a reprezentat \u00eenceputul Bibliotecii\nNa\u021bionale. Acum, la biroul din camera mea, m\u0103 preg\u0103team pentru interviu,\nrecapitul\u00e2nd pentru ultima oar\u0103 noti\u021bele despre Biblioteca American\u0103: fondat\u0103\n\u00een 1920; prima din Paris care a permis accesul direct al publicului la\nrafturile cu c\u0103r\u021bi; abona\u021bi din 30 de \u021b\u0103ri, un sfert dintre ei fiind francezi.\n\u00cenv\u0103\u021basem bine aceste date \u0219i informa\u021bii, sper\u00e2nd c\u0103 aveau s\u0103 m\u0103 fac\u0103 s\u0103 par\nprofesionist\u0103 \u00een ochii directoarei.<\/p>\n\n\n\n

Am plecat \u00een pas \u00eentins din\napartamentul familiei mele de pe \u00eentunecata strad\u0103 Roma, vizavi de gara Saint\nLazare, unde locomotivele tu\u0219eau fum. V\u00e2ntul \u00eemi smulgea \u0219uvi\u021bele de p\u0103r, iar\neu \u00eemi \u00eenghesuiam c\u00e2rlion\u021bii la loc sub beret\u0103. \u00cen dep\u0103rtare, vedeam domul ca\nde abanos al bisericii Saint\u2011Augustin. Religie, 200. Vechiul Testament, 221.\nIar Noul Testament? Am a\u0219teptat, dar nu mi\u2011am amintit num\u0103rul. M\u2011am \u00eenfuriat\npentru c\u0103 uitasem lucruri simple. Mi\u2011am scos carnetul de noti\u021be din po\u0219et\u0103. A,\nda, 225. \u0218tiam.<\/p>\n\n\n\n

Partea mea preferat\u0103 din\nbiblioteca \u0219colar\u0103 a fost clasificarea zecimal\u0103 Dewey. Conceput\u0103 \u00een 1873 de\nc\u0103tre bibliotecarul american Melvil Dewey, folosea zece categorii de organizare\na c\u0103r\u021bilor pe rafturi, \u00een func\u021bie de subiect. Exista un num\u0103r pentru orice,\nceea ce \u00eei permitea oric\u0103rui cititor s\u0103 g\u0103seasc\u0103 orice carte \u00een orice\nbibliotec\u0103. De exemplu, maman se m\u00e2ndrea cu 648\u2011ul ei (gospod\u0103rie). Papa n\u2011ar\nfi recunoscut, dar chiar se bucura de 785 (muzica de camer\u0103). Fratele meu\ngeam\u0103n era mai degrab\u0103 o persoan\u0103 636.8, \u00een timp ce eu preferam 636.7 (pisici\n\u0219i c\u00e2ini).<\/p>\n\n\n\n

Am ajuns pe marele bulevard,\nunde, pe locul unui cvartal, ora\u0219ul \u00ee\u0219i lep\u0103dase mantaua de clas\u0103 muncitoare \u0219i\n\u00eembr\u0103case o blan\u0103 de nurc\u0103. Mirosul aspru de c\u0103rbune se risipise, \u00eenlocuit de\nmirosul dulce, de iasomie, al parfumului Joy pe care\u2011l r\u0103sp\u00e2ndeau femeile care\nse delectau privind \u00een vitrine rochiile Nina Ricci \u0219i m\u0103nu\u0219ile de piele verde\nsmarald marca Kiesler. Pe m\u0103sur\u0103 ce mergeam, am dep\u0103\u0219it ni\u0219te muzicieni care\nie\u0219eau dintr\u2011un magazin care vindea partituri mototolite, am trecut de u\u0219a\nalbastr\u0103 a unei cl\u0103diri baroce \u0219i am dat col\u021bul, intr\u00e2nd pe o strad\u0103 \u00eengust\u0103.\n\u0218tiam drumul pe dinafar\u0103.<\/p>\n\n\n\n

Iubeam Parisul, acest ora\u0219 al\nsecretelor. Precum coper\u021bile c\u0103r\u021bilor, unele de piele, altele de p\u00e2nz\u0103, fiecare\nu\u0219\u0103 parizian\u0103 ducea spre lumi neb\u0103nuite. Se putea ca \u00een cur\u021bi s\u0103 dai peste un\np\u00e2lc de biciclete sau peste un portar gr\u0103su\u021b, cu o m\u0103tur\u0103 \u00een m\u00e2n\u0103. \u00cen cazul\nBibliotecii Americane, u\u0219a masiv\u0103 de lemn se deschidea spre o gr\u0103din\u0103 secret\u0103.\nPoteca \u00eencadrat\u0103 pe o latur\u0103 de petunii, iar pe cealalt\u0103 \u2013 de o peluz\u0103, era\npres\u0103rat\u0103 cu un pietri\u0219 alb care\u2011mi scr\u00e2\u0219nea sub picioare \u00een timp ce\u2011mi\nconducea pa\u0219ii c\u0103tre cl\u0103direa din c\u0103r\u0103mid\u0103 \u0219i piatr\u0103. Am trecut pragul pe sub\nsteagurile francez \u0219i american ce fluturau unul l\u00e2ng\u0103 altul \u0219i mi\u2011am ag\u0103\u021bat\nhaina \u00een cuierul \u0219ubred. Tr\u0103g\u00e2nd pe n\u0103ri cel mai pl\u0103cut miros din lume \u2013\namestecul dintre izul putred al volumelor muceg\u0103ite \u0219i mirosul paginilor de\nziar proasp\u0103t ie\u0219ite de sub tipar, m\u2011am sim\u021bit ca \u0219i cum m\u2011a\u0219 fi \u00eentors acas\u0103.<\/p>\n\n\n\n

Ajuns\u0103 un pic cam prea devreme\npentru interviu, am trecut pe l\u00e2ng\u0103 recep\u021bie, unde ve\u0219nic binedispusul\nbibliotecar \u00eei asculta pe abona\u021bi. (\u201eUnde pot s\u0103 g\u0103sesc o friptur\u0103 bun\u0103?\u201c a\n\u00eentrebat un nou\u2011venit \u00eenc\u0103l\u021bat cu cizme de cowboy. \u201eDe ce s\u0103 pl\u0103tesc amenda\nc\u00e2nd eu nici m\u0103car n\u2011am terminat cartea?\u201c s\u2011a strop\u0219it cert\u0103rea\u021ba madame\nSimon). Am intrat \u00een t\u0103cerea confortabilei camere de lectur\u0103.<\/p>\n\n\n\n

La o mas\u0103 de l\u00e2ng\u0103 fereastra \u00een\nstil fran\u021buzesc, profesoara Cohen, cu o elegant\u0103 pan\u0103 de p\u0103un \u00eenfipt\u0103 \u00een coc,\nera absorbit\u0103 de lectura unui ziar; domnul Pryce\u2011Jones medita la articolele din\nTime \u00een timp ce puf\u0103ia din pip\u0103. \u00cen mod normal a\u0219 fi salutat, dar, emo\u021bionat\u0103\ndin pricina interviului, mi\u2011am c\u0103utat refugiul \u00een rafturile mele preferate de\nc\u0103r\u021bi. \u00cemi pl\u0103cea s\u0103 fiu \u00eenconjurat\u0103 de pove\u0219ti, \u0219i de cele str\u0103vechi, \u0219i de\ncele publicate abia cu o lun\u0103 \u00een urm\u0103.<\/p>\n\n\n\n

M\u2011am g\u00e2ndit s\u0103 caut o carte\npentru fratele meu. Din ce \u00een ce mai des, la orice or\u0103 din noapte, auzeam\nzgomotul ma\u0219inii de scris a lui R\u00e9my. Dac\u0103 nu scria articole despre felul \u00een care\nFran\u021ba ar fi trebuit s\u0103\u2011i ajute pe refugia\u021bii izgoni\u021bi din Spania de r\u0103zboiul\ncivil, scria despre convingerea lui c\u0103 Hitler avea s\u0103 ocupe Europa, a\u0219a cum\nocupase o parte din Cehoslovacia. Singurele momente \u00een care R\u00e9my uita de griji\n\u2013 adic\u0103 de grija pentru al\u021bii \u2013 erau atunci c\u00e2nd citea o carte bun\u0103.<\/p>\n\n\n\n

Mi\u2011am trecut degetele peste\ncotoare. Dup\u0103 ce am ales un volum, l\u2011am deschis la \u00eent\u00e2mplare. N\u2011am judecat\nniciodat\u0103 o carte \u00een func\u021bie de \u00eenceputul ei, moment \u00een care m\u0103 sim\u021beam ca la\nprima \u0219i ultima \u00eent\u00e2lnire pe care o avusesem vreodat\u0103, atunci c\u00e2nd am\u00e2ndoi\nz\u00e2mbiser\u0103m prea larg. Nu, am deschis cartea pe la mijloc, unde \u0219tiam c\u0103 autorul\nnu \u00eencerca s\u0103 m\u0103 impresioneze. \u201e\u00cen via\u021b\u0103 exist\u0103 \u00eentuneric \u0219i lumin\u0103\u201c, am citit.\n\u201eTu e\u0219ti una dintre lumini, lumina tuturor luminilor.\u201c Oui. Merci, domnule\nStoker. Asta i\u2011a\u0219 fi spus lui R\u00e9my, dac\u0103 a\u0219 fi putut.<\/p>\n\n\n\n

\u00cencepusem s\u0103 fiu \u00een \u00eent\u00e2rziere,\na\u0219a c\u0103 m\u2011am gr\u0103bit c\u0103tre recep\u021bie, unde am semnat fi\u0219a \u0219i am strecurat romanul\nDracula \u00een po\u0219et\u0103. Directoarea a\u0219tepta. Ca de obicei, p\u0103rul castaniu \u00eei era\nridicat \u00eentr\u2011un coc, iar \u00een m\u00e2n\u0103 \u021binea un stilou de argint.<\/p>\n\n\n\n

Toat\u0103 lumea o cuno\u0219tea pe\ndomni\u0219oara Reeder. Scria articole pentru ziare \u0219i impresiona la radio, invit\u00e2nd\npe toat\u0103 lumea la bibliotec\u0103 \u2013 studen\u021bi, profesori, solda\u021bi, str\u0103ini \u0219i francezi.\nEa d\u0103dea asigur\u0103ri ferme c\u0103 to\u021bi cititorii erau bine-veni\u021bi \u0219i c\u0103 era loc\npentru fiecare.<\/p>\n\n\n\n

\u2013 Sunt Odile Souchet. \u00cemi pare\nr\u0103u c\u0103 am \u00eent\u00e2rziat. Am ajuns mai devreme, dar am deschis o carte\u2026<\/p>\n\n\n\n

\u2013 Cititul e periculos, a spus\ndomni\u0219oara Reeder, cu un z\u00e2mbet complice pe fa\u021b\u0103. S\u0103 mergem la mine \u00een birou.<\/p>\n\n\n\n

Am urmat\u2011o prin camera de\nlectur\u0103, unde abona\u021bii \u00eembr\u0103ca\u021bi \u00een costume elegante \u0219i\u2011au cobor\u00e2t ziarele ca s\u2011o\nvad\u0103 mai bine pe directoare; am urcat pe o scar\u0103 \u00een spiral\u0103, am intrat pe un\ncoridor din aripa sacr\u0103 destinat\u0103 exclusiv angaja\u021bilor \u0219i am ajuns \u00een biroul\nei, care mirosea a cafea. Pe perete era at\u00e2rnat\u0103 o fotografie de mari\ndimensiuni care \u00eenf\u0103\u021bi\u0219a perspectiva aerian\u0103 a unui ora\u0219, av\u00e2nd cartierele\norganizate ca o tabl\u0103 de \u0219ah, at\u00e2t de diferite de str\u0103zile cotite ale\nParisului.<\/p>\n\n\n\n

V\u0103z\u00e2ndu\u2011mi interesul, ea mi\u2011a\nspus:<\/p>\n\n\n\n

\u2013 E Washington, D.C. Am lucrat la\nBiblioteca Congresului.<\/p>\n\n\n\n

Mi\u2011a f\u0103cut semn s\u0103 iau loc, iar\nea s\u2011a a\u0219ezat la birou, care era acoperit de h\u00e2rtii; unele \u00eencercau, parc\u0103, s\u0103\nse furi\u0219eze afar\u0103 din t\u0103vi pe la col\u021buri, iar altele erau imobilizate de un\ncapsator pus deasupra lor. Un telefon negru, str\u0103lucitor, cu firul at\u00e2rn\u00e2nd\np\u00e2n\u0103 \u00een podea, atr\u0103gea aten\u021bia. L\u00e2ng\u0103 domni\u0219oara Reeder se afla un scaun pe\ncare erau gr\u0103m\u0103dite c\u0103r\u021bi. Am v\u0103zut romane de Isak Dinesen \u0219i Edith Wharton.\nC\u00e2te un semn de carte \u2013 de fapt, c\u00e2te o fund\u0103 str\u0103lucitoare \u2013 ie\u0219ea din\nfiecare, ca o m\u00e2n\u0103 \u00eentins\u0103 invit\u00e2nd\u2011o pe directoare s\u0103 se \u00eentoarc\u0103.<\/p>\n\n\n\n

Ce fel de cititoare s\u0103 fi fost\ndomni\u0219oara Reeder? Spre deosebire de mine, n\u2011ar fi l\u0103sat niciodat\u0103 o carte cu\nfa\u021ba \u00een jos, din lipsa unui semn de carte. N\u2011ar fi l\u0103sat niciodat\u0103 c\u0103r\u021bile\n\u00eengr\u0103m\u0103dite sub pat.<\/p>\n","protected":false},"excerpt":{"rendered":"

V\u0103 anun\u021b\u0103m apari\u021bia unui nou titlu de neratat \u00een colec\u021bia Blue Moon a editurii Litera – Biblioteca din Paris, de Janet Skeslien Charles. Cu a\u015fa titlu (bibliotec\u0103? Paris?) \u015fi a\u015fa copert\u0103 (Paris din nou), se \u00een\u0163elege de la sine ner\u0103bdarea cu…<\/p>\n","protected":false},"author":17,"featured_media":34094,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5203],"tags":[2040,461,5576,5113,639,4276,187,76],"class_list":["post-34084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avanpremiera","tag-avanpremiera","tag-biblioteca","tag-biblioteca-din-paris","tag-blue-moon","tag-club-de-carte","tag-featured","tag-paris","tag-serial-readers"],"acf":[],"yoast_head":"\nBiblioteca din Paris (fragment \u00een avanpremier\u0103)<\/title>\n<meta name=\"description\" content=\"V\u0103 anun\u021b\u0103m apari\u021bia unui nou titlu de neratat \u00een colec\u021bia Blue Moon a editurii Litera - 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