{"id":32033,"date":"2019-05-15T11:00:03","date_gmt":"2019-05-15T08:00:03","guid":{"rendered":"https:\/\/serialreaders.com\/blog\/?p=32033"},"modified":"2019-05-19T22:25:10","modified_gmt":"2019-05-19T19:25:10","slug":"florin-lazarescu-cert-e-ca-outopos-a-fost-un-drum-bun-din-viata-mea","status":"publish","type":"post","link":"https:\/\/serialreaders.com\/blog\/florin-lazarescu-cert-e-ca-outopos-a-fost-un-drum-bun-din-viata-mea\/","title":{"rendered":"Florin L\u0103z\u0103rescu: \u201eCert e c\u0103 OuTopos a fost un drum bun din via\u021ba mea.\u201d"},"content":{"rendered":"

Ana S\u0103ndulescu \u00een dialog cu Florin L\u0103z\u0103rescu<\/p>\n

Florin L\u0103z\u0103rescu<\/a> (n.1974) este prozator, scenarist \u0219i organizator al Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. Debutul s\u0103u cu volumul de povestiri Cuiburi de v\u00eesc<\/em> (2000, ed. OuTopos) a fost urmat de romanele Ce se \u015ftie despre ursul panda<\/em> (2003), Trimisul nostru special<\/em> <\/a>(2005), Amor\u0163ire<\/em> (2013) \u0219i volumele de povestiri Lampa cu c\u0103ciul\u0103<\/em> (2009) \u0219i \u00cent\u00eempl\u0103ri \u0219i personaje<\/em> (2015) publicate la editura Polirom. C\u0103r\u021bile sale sunt traduse \u00een 10 limbi.<\/p>\n

Este scenarist al scurtmetrajului Lampa cu c\u0103ciul\u0103\u00a0<\/em>(2006, \u00een regia lui Radu Jude, c\u00e2\u015ftig\u0103tor al premiului pentru cel mai bun scurtmetraj la Sundance Festival, 2007), coscenarist al mediu-metrajului O umbr\u0103 de nor\u00a0<\/em>(2014) \u0219i al lungmetrajului multi-laureat\u00a0Aferim!<\/em> (2015, Ursul de Argint la Berlinale pentru cea mai bun\u0103 regie), ambele \u00een regia lui Radu Jude.<\/p>\n

\"Florin_arhiva<\/a><\/p>\n

Ana S\u0103ndulescu: Florin, poveste\u0219te-mi despre OuTopos: cum s-a format grupul literar ie\u0219ean \u0219i ce a \u00eensemnat pentru tine aceast\u0103 experien\u021b\u0103? <\/strong><\/p>\n

Florin L\u0103z\u0103rescu: OuTopos a fost pentru mine o utopie care a \u00eenceput de pe b\u0103ncile liceului, \u00een timp ce mergeam pe jos din Copou p\u00e2n\u0103 \u00een Podu Ro\u0219, \u00eempreun\u0103 cu prietenul \u0219i colegul meu de banc\u0103 Briscan Zara. O utopie pentru c\u0103, sincer, n-am crezut niciodat\u0103 c\u0103 o s\u0103 se \u00eent\u00e2mple, ci doar c\u0103 va r\u0103m\u00e2ne o discu\u021bie pl\u0103cut\u0103. Am\u00e2ndoi visam despre cum o s\u0103 \u00eenfiin\u021b\u0103m noi un cenaclu literar c\u00e2nd o s\u0103 intr\u0103m la facultate. C\u00e2nd am intrat, \u00een \u201994, am \u0219i \u00eenceput. \u021ain minte c\u0103 la primele \u00eent\u00e2lniri eram \u00eentre 5 \u0219i 10 oameni, printre care doi-trei de la Litere, unul de la Drept, unul de la \u0218tiin\u021be economice, vreo trei de la Medicin\u0103. Ne \u00eent\u00e2lneam s\u0103pt\u0103m\u00e2nal \u2013 miercurea, parc\u0103 \u2013 \u00een fa\u021ba Universit\u0103\u021bii, c\u0103utam o sal\u0103 liber\u0103, spuneam pove\u0219ti \u0219i mai citeam din ce a scris fiecare, f\u0103r\u0103 vreun program anume. Marea realizare din acea perioad\u0103, dincolo de socializare, a fost c\u00e2nd cineva (Claudiu B\u00eerliba, atunci informatician, azi fotograf) a reu\u0219it s\u0103 scrie pe computer \u0219i s\u0103 imprime \u00eentr-un laborator de la Informatic\u0103 textele tuturor oamenilor din cenaclul nostru. C\u00e2nd ne-am v\u0103zut textele imprimate pe h\u00e2rtie A4, literele negre, cu fonturi mi\u0219to, ni s-a p\u0103rut dintr-o dat\u0103 c\u0103 suntem mai serio\u0219i \u0219i mult mai buni dec\u00e2t eram, c\u0103 putem ajunge departe.<\/p>\n

Prin iarna \u201994-\u201995 m-am \u00eent\u00e2lnit cu Codrin Dinu Vasiliu, student la Filosofie, care f\u0103cea parte dintr-un alt grup de studen\u021bi cumva ca noi \u0219i am hot\u0103r\u00e2t s\u0103 ne comas\u0103m. \u00cent\u00e2mplarea a f\u0103cut c\u0103 \u0219i Codrin st\u0103tea \u00een Podu Ro\u0219, iar planurile noastre au devenit \u0219i mai mari, tot merg\u00e2nd \u00eempreun\u0103 pe jos din Copou spre cas\u0103: s\u0103 facem un cenaclu pe bune, s\u0103 avem \u00eent\u00e2lniri mai organizate, un program, s\u0103 construim o asocia\u021bie cultural\u0103, o revist\u0103 etc. Prin prim\u0103vara lui \u201995, cred c\u0103 eram deja vreo 20-30 de oameni care se \u00eent\u00e2lneau s\u0103pt\u0103m\u00e2nal, \u00een mod constant… Am \u00eencercat atunci s\u0103 frecvent\u0103m \u0219i cenaclul Junimea, dar eram destul de nemul\u021bumi\u021bi de ceea ce se \u00eent\u00e2mpla acolo, lucru care ne-a unit \u0219i mai mult \u00een dorin\u021ba de a construi ceva alternativ. Cred c\u0103 abia \u00een iarna lui \u201996 lucrurile au \u00eenceput s\u0103 devin\u0103 foarte serioase, c\u00e2nd \u00een gruparea noastr\u0103 de la facultate au ap\u0103rut deja oameni care au ast\u0103zi un nume \u00een literatura noastr\u0103.<\/p>\n

AS: De ce s-a numit \u2018OuTopos\u2019 \u0219i nu altfel?<\/strong><\/p>\n

FL: De la grecescul \u201ef\u0103r\u0103 loc\u201d, cu trimitere juc\u0103u\u0219\u0103, evident, \u0219i la utopie \u2013 pentru c\u0103 nu aveam un loc al nostru de \u00eent\u00e2lnire, ne \u00eent\u00e2lneam \u00een fa\u021ba Universit\u0103\u021bii \u0219i c\u0103utam o sal\u0103 liber\u0103. Dar totul era frumos, utopic. La vremea aceea \u0219tiu c\u0103 afi\u0219ele noastre promo\u021bionale erau desenate cu m\u00e2na \u0219i le tr\u0103geam la xerox.<\/p>\n

AS: Privind \u00een urm\u0103, care a fost impactul acestor \u00eent\u00e2lniri asupra vie\u021bii culturale ie\u0219ene? Ce s-a schimbat?<\/strong><\/p>\n

FL: Prin \u201996-\u201997 am \u00eenceput s\u0103 g\u00e2ndim revista OuTopos, care a fost un exerci\u021biu de profesionalizare pentru noi to\u021bi: cum se face un concept, cum se pagineaz\u0103 \u0219i cum se redacteaz\u0103.<\/p>\n

Un pas mai departe, practic, oficializarea OuTopos-ului a fost atunci c\u00e2nd ne-am \u00eent\u00e2lnit cu Mirel Can\u0103, care era muzeograf la Casa Dosoftei \u0219i ne-a oferit un loc bine \u0219tiut de \u00eent\u00e2lnire \u0219i o sus\u021binere constant\u0103 pentru institu\u021bionalizarea grup\u0103rii: consiliere, dezvoltarea asocia\u021biei, revistei \u0219i editurii. Din acel moment \u2013 prin \u201997, p\u00e2n\u0103 prin 2000, cred \u2013 cenaclul a \u00eenceput s\u0103 fie frecventat \u00a0mereu de oameni noi. \u0218i \u00een zilele noastre \u00eenc\u0103 mai \u00eent\u00e2lnesc persoane care \u00eemi povestesc c\u0103 m\u0103 \u0219tiu de la OuTopos, c\u0103 veneau la \u0219edin\u021be ca simpli spectatori, f\u0103r\u0103 s\u0103 fie interesa\u021bi de a deveni scriitori. Unii dintre ei nici m\u0103car nu activeaz\u0103 ast\u0103zi \u00een domeniul literaturii, dar \u00ee\u0219i aduc aminte cu pl\u0103cere de acele vremuri (spre exemplu, \u00eemi vin acum \u00een minte nume care ast\u0103zi lucreaz\u0103 \u00een televiziune, \u00eenv\u0103\u021b\u0103m\u00e2nt, armat\u0103, informatic\u0103 sau medicin\u0103).<\/p>\n

La \u00eenfiin\u021barea \u00een acte, \u00een asocia\u021bie cred c\u0103 eram peste 30 de membri. Vreo doi-trei ani, la cenaclul OuTopos se adunau s\u0103pt\u0103m\u00e2nal, \u00een medie, vreo 40 de oameni, dar au fost multe \u0219edin\u021be c\u00e2nd sala din Muzeul Dosoftei se dovedea ne\u00eenc\u0103p\u0103toare. Ca oameni care au frecventat cenaclul, cred c\u0103 \u00een timp, de-a lungul anilor, exist\u0103 sute de persoane care au participat la \u0219edin\u021bele \u0219i lecturile OuTopos.<\/p>\n

Editura OuTopos, care s-a lansat cu debutul lui Lucian Dan Teodorovici, \u00een \u201999, cred c\u0103 a reprezentat consacrarea definitiv\u0103 a grup\u0103rii noastre. Imediat, \u00een decursul unui an, a urmat debutul lui Dan Lungu \u00een proz\u0103, al meu, al lui Codrin Dinu Vasiliu sau c\u0103r\u021bi semnate de O. Nimigean, Michael Astner \u0219i \u0218erban Axinte.<\/p>\n

AS: Care era atmosfera la \u00eent\u00e2lniri? Una sobr\u0103, clasic\u0103 sau mai degrab\u0103 casual<\/em>, relaxat\u0103? Ce elemente culturale punea domnul Can\u0103 \u00een joc?<\/strong><\/p>\n

FL: Atitudinea noastr\u0103 era real\u0103, normal\u0103, lipsit\u0103 de orice fi\u021be, cu foarte mult umor \u0219i ironie, la polul opus sobriet\u0103\u021bii presupuse de cli\u0219eul culturii cu majuscul\u0103. Ne jucam, eram con\u0219tien\u021bi de asta, dar ne jucam frumos. O lung\u0103 perioad\u0103, chiar nu mai \u021bin minte c\u00e2t, eu am condus \u0219edin\u021bele de cenaclu. Nu contau at\u00e2t de mult liderii, ci to\u021bi oamenii care participau, atmosfera onest\u0103 \u0219i direct\u0103. Domnul Can\u0103 era, a\u0219a cum este \u0219i ast\u0103zi, \u00een stare s\u0103 porneasc\u0103 de la un poem prost \u0219i s\u0103 te treac\u0103 prin toat\u0103 istoria literaturii…<\/p>\n


\n\"\"<\/a><\/p>\n

Photo: La Cannes Film Festival \u00een 2013, cu regizorul Alexandru Dabija<\/em><\/p>\n

AS: O amintire fain\u0103 din perioada aceea? <\/strong><\/p>\n

FL: Nu exist\u0103 doar o singur\u0103 amintire frumoas\u0103, ci sute-mii \u00eentre care nu pot face diferen\u021ba, n-am cum s\u0103 le ierarhizez. Din acei ani \u00een care a func\u021bionat gruparea \u00eemi amintesc o continu\u0103 stare de bine, aproape f\u0103r\u0103 cusur, care nu \u021binea doar de OuTopos. \u021ain minte c\u0103 Lucian Dan Teodorovici a citit \u00eentr-o \u0219edin\u021b\u0103 un roman \u00eentreg, trei-patru ore am stat \u0219i l-am ascultat cu to\u021bii; un adev\u0103rat happening.<\/p>\n

AS: Prin ceea ce au scris sau prin maniera \u00een care s-au comportat, ai g\u0103sit vreun mentor, vreun model de urmat \u00een unul din scriitorii sau scriitoarele care frecventau OuTopos?<\/strong><\/p>\n

FL: N-am func\u021bionat niciodat\u0103 pe principiul mentoratului, al modelului unic de urmat, n-am vrut niciodat\u0103 s\u0103 fiu altcineva sau altceva dec\u00e2t sunt (except\u00e2nd doar copil\u0103ria, c\u00e2nd \u021bin minte c\u0103 m\u0103 impresiona po\u0219ta\u0219ul satului \u0219i \u00eemi doream s\u0103 ajung po\u0219ta\u0219). Altfel, cred c\u0103 am avut ceva important de \u00eenv\u0103\u021bat de la fiecare dintre cei care au format nucleul dur al grup\u0103rii OuTopos.<\/p>\n

AS: \u00cen acela\u0219i timp cu voi a existat un alt grup literar – ie\u0219ean \u2013 remarcabil: Club 8. Ca membru \u2018OuTopos\u2019, ce p\u0103rere aveai despre clubopti\u0219ti?<\/strong><\/p>\n

FL: Prima mea \u00eent\u00e2lnire cu \u2018Club 8\u2019 a fost, de fapt, cu Dan Lungu, care a venit \u0219i a asistat la una dintre \u0219edin\u021bele noastre. Dan Lungu, Michael Astner, O. Nimigean sau Hora\u021biu Decuble, oamenii din Club 8 erau cumva o alt\u0103 genera\u021bie, oameni cu care nu ne \u00eent\u00e2lneam destul de des. Visul lui Mirel Can\u0103 era s\u0103 ne unim \u00eentr-o singur\u0103 grupare, \u00eens\u0103 m\u0103 tem c\u0103 acest lucru nu era privit cu \u00eenc\u00e2ntare nici de ei (aveau orgoliul c\u0103-s mai \u201eb\u0103tr\u00e2ni\u201d, mai serio\u0219i, consacra\u021bi), dar nici de noi (av\u00e2nd orgoliul identit\u0103\u021bii OuTopos). Cert e c\u0103 de multe ori am colaborat, mai ales \u00een privin\u021ba editurii, apoi unii de la noi \u2013 printre care \u0219i eu \u2013 am avut lecturi la \u00eent\u00e2lnirile lor. Oricum, practic, OuTopos \u0219i Club 8 au fost dou\u0103 entit\u0103\u021bi total distincte, iar apropierile existau mai mult prin leg\u0103turile personale ale unor membri de la noi cu unii de la ei.<\/p>\n

AS: Din \u00eent\u00e2lnirile acestea a izvor\u00e2t FILIT, la confluen\u0163a unei mari prietenii, cea dintre tine, Dan (Lungu) \u015fi Lucian (Teodorovici). Spune-mi, po\u0163i s\u0103 mai identifici \u015fi altceva care s-a n\u0103scut din timpul acelor \u015fedin\u0163e?<\/strong><\/p>\n

FL: Cu Dan Lungu m-am \u00eemprietenit \u00een adev\u0103ratul sens al cuv\u00e2ntului mai degrab\u0103 dup\u0103 2000, \u00een \u0219i mai ales dup\u0103 perioada \u00een care am lucrat la Polirom (2000-2005), c\u00e2nd am \u00eenceput s\u0103 ne nimerim invita\u021bi \u00eempreun\u0103 la evenimente culturale din str\u0103in\u0103tate. Paradoxal, \u00een Ia\u0219i nu prea aveam timp s\u0103 ne \u00eent\u00e2lnim dec\u00e2t pe fug\u0103. Cu Lucian, \u00eentr-un fel sau altul, colaborez fr\u0103\u021be\u0219te \u0219i profesional de peste 20 de ani. Am fost al\u0103turi la facultate, la revista Timpul<\/em>, la OuTopos, la Polirom, la \u201eEgo. Proz\u0103\u201d, la Suplimentul de cultur\u0103<\/em>, la masa de scris scenarii, la FILIT \u0219i la ultima \u0219edin\u021b\u0103 din Consiliul de administra\u021bie al Muzeului Na\u021bional al Literaturii Rom\u00e2ne Ia\u0219i de ast\u0103zi.<\/p>\n

E, totu\u0219i, mult spus c\u0103 FILIT-ul a izvor\u00e2t din OuTopos \u0219i Club 8. FILIT-ul e o poveste diferit\u0103 la care au participat \u0219i mul\u021bi oameni care n-au avut nicio leg\u0103tur\u0103 cu grup\u0103rile noastre de atunci. Oameni care, din ce \u0219tiu, nu au fost forma\u021bi la \u0219coala unui club \u0219i au f\u0103cut foarte bine fa\u021b\u0103 organiz\u0103rii unui mare eveniment cultural. Adic\u0103 se poate \u0219i a\u0219a \u0219i altfel. \u0218i cu club sau cenaclu \u201ela baz\u0103\u201d, \u0219i f\u0103r\u0103. (?)<\/p>\n

La \u0219edin\u021bele cenaclurilor noastre exista \u0219i s-a dezvoltat un anume spirit nu doar critic, ci \u0219i constructiv, pus serios pe treab\u0103. Valabil \u00een orice am f\u0103cut fiecare dintre noi \u00een via\u021b\u0103 pe urm\u0103.<\/p>\n

\"Florin<\/a><\/p>\n

AS: De ce s-a destr\u0103mat grupul vostru \u0219i ce proiecte au urmat pentru tine dup\u0103 OuTopos? Retrospectiv, \u00een ce m\u0103sur\u0103 a contribuit acest cenaclu la formarea ta ca scriitor?<\/strong><\/p>\n

FL: OuTopos-ul s-a destr\u0103mat brusc, prin 2000, c\u00e2nd am terminat-o cu studiile, c\u00e2nd mai to\u021bi am \u00eenceput s\u0103 avem servicii \u0219i pu\u021bin timp liber, ba chiar unii din nucleul dur au fost nevoi\u021bi s\u0103 plece din Ia\u0219i. Dup\u0103 OuTopos, au r\u0103mas leg\u0103turile \u00eentre noi, dorin\u021ba de a face lucruri, de a le lua de la zero \u0219i a le duce p\u00e2n\u0103 la cap\u0103t. Personal, mi-e greu s\u0103-mi \u00eenchipui c\u0103 a\u0219 fi ajuns s\u0103 m\u0103 apuc serios de scris, s\u0103 lucrez \u00een Polirom, f\u0103r\u0103 experien\u021ba OuTopos. Dar nu chiar imposibil. Ca absolvent de Litere, \u0219i dac\u0103 nu ar fi existat OuTopos, sunt mari \u0219anse ca tot \u00een zona \u00een care activez ast\u0103zi s\u0103 fi ajuns, nu cred c\u0103 a\u0219 fi devenit fierar-betonist ori medic. Nu po\u021bi m\u0103sura cu exactitate importan\u021ba unor c\u0103r\u0103ri pe care ai mers la un moment dat. Cert e c\u0103 OuTopos a fost un drum bun din via\u021ba mea.<\/p>\n

AS: Care e sentimentul t\u0103u general \u00een leg\u0103tur\u0103 cu participarea la cenaclurile literare actuale?<\/strong><\/p>\n

FL: Pe de o parte, sunt tentat s\u0103 spun c\u0103 un cenaclu \u00een sensul celui \u00een care am func\u021bionat noi e aproape imposibil ast\u0103zi. Am putea discuta dou\u0103 zile de ce, dar, pe scurt, pentru c\u0103 lumea s-a schimbat enorm de atunci. Pe de alta, nu v\u0103d de ce o nou\u0103 grupare literar\u0103, cu un fel diferit de a fi, adaptat la lumea de acum, nu ar putea exista. Cred c\u0103 e nevoie doar de 4-5 oameni entuzia\u0219ti, care s\u0103 vin\u0103 cu un concept nou.<\/p>\n

AS: Dac\u0103 ai organiza un nou cenaclu literar \u00een Ia\u015fi ce loc ai alege pentru asta?<\/strong><\/p>\n

FL: Dac\u0103 a\u0219 avea timp liber, mi-ar pl\u0103cea s\u0103 organizez azi un club literar cu site propriu \u0219i cu \u0219edin\u021be s\u0103pt\u0103m\u00e2nale live, pe Skype.<\/p>\n

AS: Se spune c\u0103 genera\u021bia de acum, totuna cu cea care formeaz\u0103 \u2018Salonul de Literatur\u0103\u2019\/\u2019Zero+\u2019 sau \u2018Junimea\u2019 ar fi una inexistent\u0103, sau dac\u0103 exist\u0103, se spune c\u0103 ar fi \u00een deriv\u0103. Ce p\u0103rere ai despre asta? Ast\u0103zi s-ar mai putea forma un OuTopos?<\/strong><\/p>\n

FL: Nu cred c\u0103 am fost o genera\u021bie de excep\u021bie, ci una norocoas\u0103, \u00een sensul c\u0103 ne-am nimerit \u00een acela\u0219i loc mai mul\u021bi tineri cu un mod asem\u0103n\u0103tor de a vedea lumea la vremea respectiv\u0103. Cred c\u0103 ceea ce a f\u0103cut diferen\u021ba atunci nu e o chestiune de talent, ci de organizare. Pur \u0219i simplu, atunci ne-am nimerit la un loc mai mul\u021bi oameni care aveau bucuria sincer\u0103 de a construi ceva \u00eempreun\u0103, pe baze profesioniste, de a produce c\u00e2t de pu\u021bin o schimbare a lucrurilor de care eram nemul\u021bumi\u021bi.\u00a0 \u00cen cazul nostru, ne-am dorit mereu o institu\u021bie cultural\u0103 alternativ\u0103, vie. Ceea ce se poate face oriunde \u0219i oric\u00e2nd, \u00een orice domeniu, dac\u0103 exist\u0103 4-5 oameni dispu\u0219i cu adev\u0103rat s\u0103 se ocupe de asta.<\/p>\n

*Prima serie de dialoguri despre grup\u0103rile literare \u201eClub 8\u201d \u0219i \u201eOuTopos\u201d a ap\u0103rut \u00een revista online Pr\u0103v\u0103lia Cultural\u0103 \u00eentre octombrie 2018 \u0219i februarie 2019, av\u00e2ndu-i ca invita\u021bi pe: Adrian G. Romila (OuTopos), Michael Astner (Club 8), Lucian Dan Teodorovici (OuTopos), Dan Sociu (Club 8) \u0219i \u0218erban Axinte (OuTopos). A doua serie e g\u0103zduit\u0103 online de clubul Serial Readers, av\u00e2ndu-i ca intervieva\u021bi pe: Radu Andriescu (Club 8), C\u0103t\u0103lin Cre\u021bu (OuTopos) \u0219i Florin L\u0103z\u0103rescu (OuTopos).<\/p>\n

\"Ana<\/a><\/p>\n

ANA S\u0102NDULESCU (n. 1989) este membr\u0103 a cenaclurilor \u201eSalonul de Literatur\u0103 Zero+\u201d \u015fi \u201eJunimea\u201d din Ia\u015fi. Fragmente de proz\u0103 au ap\u0103rut \u00een revistele: Dacia Literar\u0103, Tiuk!, Acolada, Lykeion, Revista Nou\u0103, Hyperion, Absolut Cultural \u015fi Zona Literar\u0103. \u00cen mai 2015 a debutat cu romanul \u201eAnamneza\u201d la editura Herg Benet Publishers. \u00cen 2017 a beneficiat de programul \u2018Reziden\u0163e FILIT pentru scriitori rom\u00e2ni\u2019, iar \u00een octombrie 2018 \u0219i-a f\u0103cut debutul ca traduc\u0103toare din englez\u0103 \u00een rom\u00e2n\u0103 cu romanul \u201e\u00cen cel mai \u00eentunecat col\u021b\u201d al autoarei Elizabeth Haynes, ap\u0103rut \u00een colec\u021bia Passport a editurii Herg Benet.<\/p>\n","protected":false},"excerpt":{"rendered":"

Ana S\u0103ndulescu \u00een dialog cu Florin L\u0103z\u0103rescu Florin L\u0103z\u0103rescu (n.1974) este prozator, scenarist \u0219i organizator al Festivalului Interna\u021bional de Literatur\u0103 \u0219i Traducere Ia\u0219i. Debutul s\u0103u cu volumul de povestiri Cuiburi de v\u00eesc (2000, ed. OuTopos) a fost urmat de romanele…<\/p>\n","protected":false},"author":17,"featured_media":32040,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4281,1719],"tags":[639,4276,3143,3622,291,5299,76],"class_list":["post-32033","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guest-post","category-interviuri","tag-club-de-carte","tag-featured","tag-filit","tag-florin-lazarescu","tag-interviu","tag-outopos","tag-serial-readers"],"acf":[],"yoast_head":"\nFlorin L\u0103z\u0103rescu: \u201eCert e c\u0103 OuTopos a fost un drum bun din via\u021ba mea.\u201d<\/title>\n<meta name=\"description\" content=\"N-am func\u021bionat niciodat\u0103 pe principiul mentoratului, al modelului unic de urmat, n-am vrut niciodat\u0103 s\u0103 fiu altcineva sau altceva dec\u00e2t sunt (except\u00e2nd doar copil\u0103ria, c\u00e2nd \u021bin minte c\u0103 m\u0103 impresiona po\u0219ta\u0219ul satului \u0219i \u00eemi doream s\u0103 ajung po\u0219ta\u0219). 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