{"id":31570,"date":"2019-03-15T07:34:07","date_gmt":"2019-03-15T05:34:07","guid":{"rendered":"https:\/\/serialreaders.com\/blog\/?p=31570"},"modified":"2019-03-19T23:33:13","modified_gmt":"2019-03-19T21:33:13","slug":"ana-sandulescu-in-dialog-cu-radu-andriescu","status":"publish","type":"post","link":"https:\/\/serialreaders.com\/blog\/ana-sandulescu-in-dialog-cu-radu-andriescu\/","title":{"rendered":"Radu Andriescu: “Astea ar fi cele mai frumoase amintiri. Prietenii \u0219i c\u0103r\u021bile.”"},"content":{"rendered":"

Ana S\u0103ndulescu \u00een dialog cu Radu Andriescu<\/p>\n

Radu Andriescu (n. 1962) este conferen\u021biar universitar la Catedra de Limba \u0219i Literatura Englez\u0103 a Universit\u0103\u021bii \u201eAl.I. Cuza\u201d din Ia\u0219i \u0219i autorul unui volum de eseuri, Paralelisme \u0219i influen\u021be culturale \u00een lirica rom\u00e2n\u0103 actual\u0103<\/em> (2005). Debutul s\u0103u cu volumul Oglinda la zid<\/em> (1992, Premiul Poesis pentru debut) a fost urmat de U\u0219a din spate<\/em> (1994), Sf\u00e2r\u0219itul drumului, \u00eenceputul c\u0103l\u0103toriei<\/em> (1998; Premiul USR, filiala Ia\u0219i), Eu \u0219i c\u00e2\u021biva prieteni<\/em> (2000), Pun\u021bile Stalinskaya<\/em> (2004), P\u0103durea metalurgic\u0103<\/em> (2008), Metalurgic<\/em> (2010), C\u00e2nd nu mai e aer<\/em> (2016, Premiul revistei \u201eObsevator cultural\u201d, Premiul pentru cartea de poezie al Festivalului Na\u021bional \u201eGeorge Bacovia\u201d, Premiul USR, filiala Ia\u0219i), Gerul dintre ei<\/em><\/a> (2017), Jedi de provincie<\/em> (2018). \u00cen preg\u0103tire, volumul Animalul diafan<\/em>.<\/p>\n

Textele sale au ap\u0103rut \u0219i \u00een numeroase antologii \u00een limba englez\u0103, printre care The Poetry Of Men\u2019s Lives: An International Anthology<\/em> (University of Georgia Press, 2004), The New European Poets<\/em> (Graywolf Press, 2008), The Vanishing Point That Whistles: An Anthology of Contemporary Romanian Poetry<\/em> (Talisman House Publishers, 2012), Memory glyphs: 3 prose poets from Romania<\/em> (Prague, Twisted Spoon, 2009) \u0219i Anthology of Contemporary Poetry from Ia\u015fi <\/em>(2013). \u00cen 2007, Longleaf Press i-a publicat volumul The Catlan Within<\/em>.<\/p>\n

Ana S\u0103ndulescu: Radu, ce a \u00eensemnat \u2018Club 8\u2019 pentru tine? De ce ai ales s\u0103 apar\u021bii grupului cluboptist? <\/strong><\/p>\n

Radu Andriescu: Nu eu l-am ales, el m-a ales pe mine. Au ajuns \u00eentr-o zi acas\u0103, ca ni\u0219te cavaleri ai apocalipsei, Dan Lungu, Viorel Ili\u0219oi \u0219i Ovidiu Nimigean. \u00cenc\u0103 nu eram prieten cu Ovidiu, iar cu Lungu \u0219i cu Ili\u0219oi discutasem mai pu\u021bin. Dar proiectul pe care-l propuneau, mai ales prin vocea plin\u0103 de entuziasm t\u0103ios a lui Ov, m-a prins imediat. \u00cen plus, se nimerea foarte bine, aveam nevoie atunci fix de combina\u021bia asta de stindard justi\u021biar \u0219i prietenie cultural\u0103. Prin urmare, la \u00eenceput era\u00a0cuv\u00e2ntul\u00a0\u015fi\u00a0cuv\u00e2ntul\u00a0era la cei trei cavaleri ai apocalipsei. Iar ei \u00eencercau s\u0103 adune un nucleu dur al clubului. M\u0103 bucur c\u0103 s-au g\u00e2ndit \u0219i la mine.<\/p>\n

AS: Cu aproxima\u021bie, c\u00e2nd am putea data prima \u00eent\u00e2lnire oficial\u0103 a \u2018Club 8\u2019? <\/strong><\/p>\n

RA: Ceilal\u021bi intervieva\u021bi au g\u0103sit r\u0103spunsul? Mie mi-e greu s\u0103 \u021bin minte \u0219i c\u00e2nd m-am n\u0103scut, prin urmare… \u00een plus, ce \u00eenseamn\u0103 \u00eent\u00e2lnire oficial\u0103? Slav\u0103 cerurilor levantine, \u00eent\u00e2lnirile noastre erau orice, numai oficiale nu.<\/p>\n

AS: Prin ceea ce au scris sau prin maniera \u00een care s-au comportat, ai g\u0103sit vreun mentor, vreun model de urmat \u00een unul din scriitorii sau scriitoarele care frecventau \u2018Club 8\u2019?<\/strong><\/p>\n

RA: Eram unul dintre b\u0103tr\u00e2ni. Nu se punea problema vreunui mentor. Dar de empatizat, empatizam la greu cu poezia lui Ovidiu, iar apoi au fost ni\u0219te interferen\u021be stilistice cu Sociu. Juc\u0103ria mortului<\/em>, cartea deja canonic\u0103 a lui Acosmei, era \u0219i este un standard poetic.<\/p>\n

AS: De ce s-a numit \u2018Club 8\u2019 \u0219i nu altfel?\u00a0 <\/strong><\/p>\n

RA: Dan Lungu a venit cu ideea \u0219i s-a ferit \u00eentotdeauna s\u0103 dea un r\u0103spuns clar. Pe noi nu ne-a interesat dac\u0103 era \u201eClub 8\u201d sau \u201eClub 10\u201d. Po\u021bi s\u0103 consideri c\u0103 am ales 8<\/strong> pentru intimidarea adversarului, dar am auzit o mul\u021bime de interpret\u0103ri: club infinit, verticalizat, \u00een fine, divaga\u021bii ca \u0219i \u2018Beat Generation\u2019. De ce \u201eBeat\u201d? De la ritm sau fiindc\u0103 e genera\u021bia aia cople\u0219it\u0103, blazat\u0103? Dar de ce OuTopos?<\/p>\n

\"Radu<\/a>

Radu Andriescu, foto de Liviu Antonesei, 2017<\/em><\/p><\/div>\n

AS: Cu ce era \u2018Club 8\u2019 diferit de alte grupuri literare?<\/strong><\/p>\n

RA: Manifestul, juc\u0103u\u0219 cum era el, marca totu\u0219i foarte clar pozi\u021bia noastr\u0103. E, \u00een primul r\u00e2nd, o chestiune de atitudine tran\u0219ant\u0103, lucrurile erau spuse t\u0103ios, \u00een articole, c\u0103r\u021bi sau \u00een Manifestul clubului. Claudiu Komartin, \u00een studiul s\u0103u introductiv la volumul pe care l-a editat pentru editura Cartier \u00een 2018, S\u00e2rm\u0103 ghimpat\u0103. C\u00e2nd focurile se vor stinge printre ruine. Poe\u021bi ai genera\u021biei r\u0103zboiului<\/em>, face o paralel\u0103 \u00eentre ceea ce se \u00eent\u00e2mpla \u00een 1941 la redac\u021bia revistei \u201eAlbatros\u201d \u0219i Club 8: \u00a0\u201eGeo Dumitrescu porne\u0219te insurgen\u021ba, care va continua \u00een anii urm\u0103tori \u00een toate revistele pe unde membrii grup\u0103rii au trecut. Nicio alt\u0103 publica\u021bie \u0219i niciun alt grup literar nu a mai avut \u00een Rom\u00e2nia, p\u00e2n\u0103 la Club 8<\/em> \u0219i Fracturi<\/em> (deci vreme de aproape \u0219aizeci de ani), atitudini at\u00e2t de tran\u0219ante \u0219i o asemenea dinamic\u0103.\u201d<\/p>\n

AS: <\/strong>Care au fost cele mai importante obiective ale grupului? Dac\u0103 am c\u0103uta acum s\u0103 le citim, unde le-am g\u0103si?<\/strong><\/p>\n

RA: Obiectivele sunt notate \u00een Manifestul clubului, nu le mai reiau. Iar Manifestul, \u00een limba rom\u00e2n\u0103, poate fi g\u0103sit \u00een mai multe locuri pe internet, dar cel mai bine editat cred c\u0103 e aici: http:\/\/www.equivalences.org\/archives\/club-8\/club-8-poemes.pdf<\/a><\/p>\n

AS: \u00cen 2000, la Editura T a revistei \u2018Timpul\u2019 apare antologia oZone Friendly. Ia\u0219i. Reconfigur\u0103ri literare, coordonat\u0103 de Ovidiu Nimigean \u0219i \u00een 2001, volumul CLUB 8: Poetry (\u00een traducerea ta \u0219i a lui A.J. Sorkin). Po\u021bi s\u0103-mi poveste\u0219ti c\u00e2te ceva despre necesitatea \u0219i derularea acestor dou\u0103 proiecte? <\/strong><\/p>\n

RA: \u00cen primul r\u00e2nd, ar mai fi de men\u021bionat o carte de grup, la care au contribuit cu proze membrii clubului, Cartea roz a comunismului<\/em>, pe care a editat-o Gabriel H. Decuble. O \u00eencercare de a privi \u00een urm\u0103 nu cu m\u00e2nie, cum se \u00eent\u00e2mpl\u0103 de regul\u0103, nici nostalgic, ci insist\u00e2nd pe unele momente senine dintr-o perioad\u0103 preponderent cenu\u0219ie. Revenind la \u00eentrebarea ta: au fost dou\u0103 antologii de poezie \u00een traducere ale Clubului 8, cea pe care ai men\u021bionat-o, \u00een traducerea mea \u0219i a lui Adam Sorkin, carte care a fost tip\u0103rit\u0103 \u00een c\u00e2teva sute de exemplare, pe speze proprii, dar care chiar \u0219i acum poate fi accesat\u0103 pe internet (aici<\/a>) de oricine e interesat de povestea asta, cu o c\u0103utare Google simpl\u0103 a \u201eclub 8 poetry\u201d, dar \u0219i o antologie \u00een limba german\u0103, editat\u0103 de O. Nimigean \u0219i Michael Astner, cel din urm\u0103 fiind \u0219i traduc\u0103torul volumului. oZone Friendly<\/em>. Antologia coordonat\u0103 de O. Nimigean e mult mai ampl\u0103, incluz\u00e2nd at\u00e2t poe\u021bi c\u00e2t \u0219i prozatori din ceea ce, la vremea aceea, se contura ca fiind alternativa literar\u0103 a Ia\u0219ului \u2013 scriitori tineri, unii cu c\u00e2teva c\u0103r\u021bi la activ, care aveau sentimentul acut al marginaliz\u0103rii, pe scena literar\u0103 ie\u0219ean\u0103. A mai fost un proiect de grup interesant, pe care ar trebui s\u0103-l men\u021bionez aici. \u0218tii, de altfel, despre ce-i vorba, pentru c\u0103 Astner l-a pomenit \u00eentr-un interviu pe care i l-ai luat, pentru \u201ePr\u0103v\u0103lia cultural\u0103\u201d: un num\u0103r \u00eentreg al revistei vieneze anarhiste Wienzeile<\/em>, dedicat literaturii tinere din Ia\u0219i. Num\u0103rul era superb ilustrat de Daniel Ursache, un grafician rom\u00e2n care locuie\u0219te de ani buni la Montreal. Doar anecdotic, Daniel, sau Burs, cum \u00eei spun prietenii, a folosit, printre altele, o mul\u021bime de fleacuri g\u0103site \u00een podul casei mele. Toat\u0103 povestea asta a fost posibil\u0103 pentru c\u0103, \u00een anii de la \u00eenceputul mileniului, la Universitate a venit un t\u00e2n\u0103r lector austriac, Johannes Gelich, el \u00eensu\u0219i prozator \u0219i dramaturg \u0219i a organizat un turneu de lecturi \u00een Austria. \u00cen plus, a discutat cu echipa simpatic\u0103 de pira\u021bi de la Wienzeile<\/em>. Tot anecdotic, pe Johannes \u00eel descriu a\u0219a \u00eentr-un text din Jedi de provincie <\/em><\/a>(Blecher, 2018): \u201eJo, \/ sau Johannes, prietenul de la Viena \/ care e \u0219ofer de taxi, dramaturg \u021b\u00e2fnos la radio, prof de \/ orice fel, \/ doar s\u0103-\u0219i poat\u0103 scrie romanele\u201d. Este \u0219i un excelent reporter, de altfel. Discutam cu vreo doi ani \u00een urm\u0103 cu el despre \u201eminele de diamante \u0219i cobalt din Africa de Sud \/ \u0219i interviurile lui cu muncitorii de acolo\u201d, cum zic \u00een alt text din Jedi<\/em>. Mai pe scurt: se \u00eent\u00e2mplau ni\u0219te lucruri prin Ia\u0219i, cu vreo dou\u0103zeci de ani \u00een urm\u0103, f\u0103r\u0103 finan\u021bare de la stat. \u00cen fine, f\u0103r\u0103 finan\u021bare de la statul nostru, pentru c\u0103 proiectele lui Johannes au fost sprijinite de cel austriac.<\/p>\n

AS: Retrospectiv, care a fost impactul acestuia asupra vie\u021bii culturale ie\u0219ene? Ce s-a schimbat?<\/strong><\/p>\n

RA: Au fost ni\u0219te rocade, la nivel de establishment<\/em>. Din ele s-a n\u0103scut \u0219i FILIT-ul, \u00een fond. Ceea ce nu-i pu\u021bin lucru.<\/p>\n

AS: C\u00e2nd \u0219i care sunt motivele pentru care grupul s-a destr\u0103mat? Ce a urmat dup\u0103 \u2018Club 8\u2019?<\/strong><\/p>\n

RA: Eu a\u0219 zice c\u0103 a murit de moarte bun\u0103, clubul. At\u00e2t Club 8 c\u00e2t \u0219i OuTopos au avut rostul lor, cu dou\u0103 decenii \u00een urm\u0103. Scriitorii din grupuri \u0219i-au v\u0103zut de drum, fiecare cum a vrut \u0219i cum a putut. Unii dintre membri au plecat din Ia\u0219i, al\u021bii din \u021bar\u0103. Unii s-au maturizat, al\u021bii au r\u0103mas imaturi, ca mine. Acela a fost un moment de convergen\u021b\u0103 extrem de interesant, care nu se \u00eent\u00e2mpl\u0103 \u00een fiecare zi.<\/p>\n

AS: \u0218i pentru tine, ca scriitor, ce proiecte ai \u00eembr\u0103\u021bi\u0219at? <\/strong><\/p>\n

RA: O carte despre poezia optzecist\u0103 de la noi, din State \u0219i din Rusia. Plus c\u00e2teva c\u0103r\u021bi de poezie, de o parte \u0219i de alta a unui h\u0103u de aproximativ \u0219ase ani, \u00een care nu am reu\u0219it s\u0103 scriu nimic bun. Au fost \u0219i vreo dou\u0103 c\u0103r\u021bi publicate de edituri americane, traduceri, c\u00e2teva antologii de v\u00e2rf, din State, \u00een care am fost inclus. Nu \u0219tiu dac\u0103 e mult sau pu\u021bin, dar asta e.<\/p>\n

AS: Po\u021bi s\u0103 ne \u00eemp\u0103rt\u0103\u0219e\u0219ti cele mai frumoase amintiri pe care le ai din acea perioad\u0103?<\/strong><\/p>\n

RA: Trec\u00e2nd peste dezechilibrele grave din lumea cultural\u0103 de atunci \u0219i de \u00eencr\u00e2ncenarea necesar\u0103 a tinerilor din club, perioada aceea, pentru mine cel pu\u021bin, a fost mai cur\u00e2nd una fast\u0103. Ie\u0219eam dintr-o criz\u0103 existen\u021bial\u0103 \u2013 se pare c\u0103 sunt mare me\u0219ter \u00een crize existen\u021biale \u2013 \u0219i intram \u00eentr-o boem\u0103 literar\u0103 de care nu mai avusesem parte p\u00e2n\u0103 atunci, chiar dac\u0103 m\u0103 apropiam de 40 de ani. Eram, \u00een fond, printre b\u0103tr\u00e2nii clubului, \u00eempreun\u0103 cu Ovidiu \u0219i Mick. Erau multe discu\u021bii pe literatur\u0103 \u0219i pe via\u021ba literar\u0103, unele chiar la mine acas\u0103. Era \u0219i o fervoare a scrisului. \u00cen doar c\u00e2\u021biva ani de club, cei care l-au frecventat au publicat nu doar volumele colective pomenite mai sus, dar \u0219i destule c\u0103r\u021bi individuale care cred c\u0103 rezist\u0103 \u0219i acum. Eu a\u0219 lega de club dou\u0103 dintre c\u0103r\u021bile mele, Eu \u0219i c\u00e2\u021biva prieteni<\/em> (Brumar, 2000), care trimite chiar din titlu la prieteniile literare pe care le presupunea clubul \u0219i Pun\u021bile Stalinskaya <\/em>(Brumar, 2004), poate cea mai bun\u0103 carte a mea, p\u00e2n\u0103 la seria Blecherian\u0103 din ultimii ani. Astea ar fi cele mai frumoase amintiri. Prietenii \u0219i c\u0103r\u021bile.<\/p>\n

AS: Care e sentimentul t\u0103u general \u00een leg\u0103tur\u0103 cu participarea la cenaclurile literare? <\/strong><\/p>\n

RA: \u00cen ultimele luni am fost invitatul permanent al Salonului de Literatur\u0103 \u201eJunimea\u201d. Invitat permanent, dar nu am ajuns de fiecare dat\u0103. Am scris \u0219i prefa\u021ba antologiei de anul trecut a Salonului, care sper s\u0103 apar\u0103 c\u00e2ndva. Erau c\u00e2teva grupaje excelente, \u00een acea antologie. A fost un an bun, pentru Salon. Recunosc c\u0103 \u00eemi este totu\u0219i mai la \u00eendem\u00e2n\u0103 s\u0103 improvizez din c\u00e2nd \u00een c\u00e2nd un soi de workshopuri literare cu unii scriitori tineri, la mine acas\u0103. Citim ce-am mai scris, scriem pe loc, dac\u0103 avem chef \u0219i idei \u0219i ne coment\u0103m textele f\u0103r\u0103 menajamente, f\u0103r\u0103 morg\u0103 \u0219i f\u0103r\u0103 formalisme. Fac chestia asta de vreun an \u0219i ceva, oarecum ca pe vremea Clubului 8, mai pu\u021bin \u00eenver\u0219unarea de atunci.<\/p>\n

AS: Se spune c\u0103 genera\u021bia de acum, totuna cu cea care formeaz\u0103 \u2018Salonul de Literatur\u0103\u2019\/\u2019Zero+\u2019 sau \u2018Junimea\u2019 ar fi totu\u0219i una inexistent\u0103, sau dac\u0103 exist\u0103, se presupune c\u0103 ar fi \u00een deriv\u0103. Ce p\u0103rere ai despre asta? Ast\u0103zi s-ar mai putea forma un \u2018Club 8\u2019?<\/strong><\/p>\n

RA: Au trecut 20 de ani de atunci \u0219i s-au schimbat multe \u00een cutumele scriitorilor. Sunt grupuri de tineri \u00een Ia\u0219i \u2013 am s\u0103 m\u0103 refer doar la Ia\u0219i \u2013 care se str\u00e2ng din diverse motive. V\u0103d c\u0103 proiectul Cozy Poetry Night merge bine. Grupul de amici cu care m\u0103 mai \u00eent\u00e2lnesc la c\u00e2te-un workshop (Emilia Nedelcoff, Andreea Petcu, Lucian B\u0103lan, Bogdan-Alexandru Petcu) este altfel coagulat. Sunt tineri din zona Alecartului care fac lucruri excelente. Sunt al\u021bii \u2013 Ioan Coroam\u0103, Luca \u0218tefan Ouatu \u2013 care progreseaz\u0103 cu fiecare text nou. Nu \u0219tiu dac\u0103 e posibil (sau necesar) ceva similar Clubului 8 la Ia\u0219i, acum. Dar se simte o fierbere, printre tineri, care a lipsit destul de mul\u021bi ani.<\/p>\n

AS: \u00cen martie 2018 a ap\u0103rut cenaclul \u2018Poe\u021bi la Meru\u2019, care se \u021binea \u00een cafeneaua Meru din Ia\u0219i \u0219i de la edi\u021biile c\u0103ruia nu lipseai. Care este miza grupului \u0219i ce fel de poezie se promoveaz\u0103?<\/strong><\/p>\n

RA: Lucrurile se schimb\u0103 iute pe-aici. Lecturile organizate de Florin Dan Prodan (n-a\u0219 zice c\u0103 era chiar un cenaclu, pentru c\u0103 nu erau \u0219i comentarii, dup\u0103 lecturi) au \u00eencetat. Nu \u0219tiu dac\u0103 vor reporni. Seria de lecturi a \u021binut de efervescen\u021ba ultimei perioade \u0219i de ini\u021biativele lui FDP. Sunt alte tipuri de lecturi, mai nou. Maratonul de poezie v\u0103d c\u0103 e \u00een vog\u0103. De la cel foarte mare, de la FILIT, la altele, organizate de scriitori, reviste literare sau institu\u021bii. C\u00e2t despre ultima ta \u00eentrebare, ce fel de poezie era promovat\u0103 la lecturile de la Meru \u2013 eu cred c\u0103 poezie de bun\u0103 calitate. \u0218i sper s\u0103 ascult c\u00e2t mai mult\u0103 poezie de calitate, prin zon\u0103, oriunde ar fi citit\u0103.<\/p>\n

***<\/p>\n

Prima serie de dialoguri despre grup\u0103rile literare \u201eClub 8\u201d \u0219i \u201eOuTopos\u201d a ap\u0103rut \u00een revista online Pr\u0103v\u0103lia Cultural\u0103 \u00eentre octombrie 2018 \u0219i februarie 2019, av\u00e2ndu-i ca invita\u021bi pe: Adrian G. Romila (OuTopos), Michael Astner (Club 8), Lucian Dan Teodorovici (OuTopos), Dan Sociu (Club 8) \u0219i \u0218erban Axinte (OuTopos).<\/p>\n

\"Ana<\/a><\/p>\n

ANA S\u0102NDULESCU (n. 1989) este membr\u0103 a cenaclurilor \u201eSalonul de Literatur\u0103 Zero+\u201d \u015fi \u201eJunimea\u201d din Ia\u015fi. Fragmente de proz\u0103 au ap\u0103rut \u00een revistele: Dacia Literar\u0103, Tiuk!, Acolada, Lykeion, Revista Nou\u0103, Hyperion, Absolut Cultural \u015fi Zona Literar\u0103. \u00cen mai 2015 a debutat cu romanul \u201eAnamneza\u201d la editura Herg Benet Publishers. \u00cen 2017 a beneficiat de programul \u2018Reziden\u0163e FILIT pentru scriitori rom\u00e2ni\u2019, iar \u00een octombrie 2018 \u0219i-a f\u0103cut debutul ca traduc\u0103toare din englez\u0103 \u00een rom\u00e2n\u0103 cu romanul \u201e\u00cen cel mai \u00eentunecat col\u021b\u201d al autoarei Elizabeth Haynes, ap\u0103rut \u00een colec\u021bia Passport a editurii Herg Benet.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ana S\u0103ndulescu \u00een dialog cu Radu Andriescu Radu Andriescu (n. 1962) este conferen\u021biar universitar la Catedra de Limba \u0219i Literatura Englez\u0103 a Universit\u0103\u021bii \u201eAl.I. Cuza\u201d din Ia\u0219i \u0219i autorul unui volum de eseuri, Paralelisme \u0219i influen\u021be culturale \u00een lirica rom\u00e2n\u0103…<\/p>\n","protected":false},"author":17,"featured_media":31573,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4281,1719],"tags":[3521,5271,639,2985,4276,291,5270,76],"class_list":["post-31570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guest-post","category-interviuri","tag-ana-sandulescu","tag-club-8","tag-club-de-carte","tag-dialog","tag-featured","tag-interviu","tag-radu-andriescu","tag-serial-readers"],"acf":[],"yoast_head":"\nRadu Andriescu: \u201cAstea ar fi cele mai frumoase amintiri. 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