{"id":30690,"date":"2018-10-24T07:43:47","date_gmt":"2018-10-24T04:43:47","guid":{"rendered":"https:\/\/serialreaders.com\/blog\/?p=30690"},"modified":"2018-11-12T22:27:05","modified_gmt":"2018-11-12T19:27:05","slug":"persoana-intai-de-richard-flanagan-fragment-in-avanpremiera","status":"publish","type":"post","link":"https:\/\/serialreaders.com\/blog\/persoana-intai-de-richard-flanagan-fragment-in-avanpremiera\/","title":{"rendered":"Persoana \u00eent\u00e2i, de Richard Flanagan (fragment \u00een avanpremier\u0103)"},"content":{"rendered":"

\"Persoana<\/a>V\u0103 anun\u021b\u0103m o nou\u0103 apari\u021bie semnat\u0103 de Richard Flanagan, c\u00e2\u0219tig\u0103tor Man Booker pentru O cale \u00eengust\u0103 spre nordul \u00eendep\u0103rtat<\/em> – Persoana \u00eent\u00e2i –\u00a0<\/em>, \u00een traducerea lui Petru Iamandi. Cartea va fi disponibil\u0103 la T\u00e2rgul Interna\u021bional\u00a0Gaudeamus, la standul editurii Litera.<\/p>\n

Kif Kehlmann, un scriitor t\u00e2n\u0103r \u0219i f\u0103r\u0103 un ban, este sunat \u00een plin\u0103 noapte de Siegfried Heidl, un escroc notoriu, director executiv al unei renumite corpora\u021bii. Pe cale s\u0103 ajung\u0103 la proces pentru fraudarea mai multor b\u0103nci de 700 de milioane de dolari, Heidl \u00eei cere lui Kehlmann s\u0103 \u00eei scrie memoriile \u00een numele s\u0103u. Are \u0219ase s\u0103pt\u0103m\u00e2ni ca s\u0103 scrie cartea, pentru care va primi 10 000 de dolari.<\/p>\n

Dar, pe m\u0103sur\u0103 ce scrisul avanseaz\u0103, Kehlmann \u00eencepe s\u0103 se team\u0103 c\u0103 este corupt de Heidl. Cu c\u00e2t termenul se apropie, \u00eei este tot mai neclar dac\u0103 el scrie memoriile lui Heidl sau dac\u0103 Heidl \u00eei rescrie lui via\u021ba \u0219i viitorul. Tot ceea ce era sigur devine nesigur, iar el \u00eencepe s\u0103 se \u00eentrebe cine este Siegfried Heidl \u0219i cine este Kif Kehlmann…<\/p>\n

\u00cen acela\u0219i timp captivant\u0103, comic\u0103 \u0219i \u00eensp\u0103im\u00e2nt\u0103toare, Persoana \u00eent\u00e2i<\/em> este o c\u0103l\u0103torie de neuitat \u00een miezul epocii noastre.<\/p>\n

\u201eRichard Flanagan se num\u0103r\u0103 printre cei mai versatili scriitori de limb\u0103 englez\u0103. Fiecare dintre cele \u0219apte romane ale lui Flanagan este diferit de celelalte, ca \u0219i cum ar fi scrise de autori diferi\u021bi; fiecare este un tur de for\u021b\u0103 \u00een felul s\u0103u, iar mai multe au fost numite \u00abcapodopere\u00bb de c\u0103tre criticii literari\u2026 Persoana \u00eent\u00e2i<\/em> este un fel de Portret al lui Dorian Gray<\/em> pentru secolul XXI\u2026\u201d\u00a0Joyce Carol Oates, The New York Review of Books<\/em><\/p>\n

\u201eHeidl este un personaj impresionant, iar Flanagan descrie cu o mare sensibilitate anxiet\u0103\u021bile lui Kif, ad\u00e2ncite de c\u0103snicia sa pe cale s\u0103 se destrame.\u201d\u00a0The New York Times Book Review<\/em><\/p>\n

Din crea\u021bia lui Richard Flanagan, la Editura Litera au mai ap\u0103rut romanele O cale \u00eengust\u0103 spre nordul \u00eendep\u0103rtat<\/em><\/a>,\u00a0S\u0103 ba\u021bi din palme cu o singur\u0103 m\u00e2n\u0103<\/a><\/em> \u0219i Moartea unei c\u0103l\u0103uze pe r\u00e2u<\/em><\/a>.<\/strong><\/p>\n

Persoana \u00eent\u00e2i, de Richard Flanagan
\n(fragment \u00een avanpremier\u0103)<\/h1>\n

Traducere din limba engleza Petru Iamandi<\/em><\/p>\n

1<\/p>\n

Prima noastr\u0103 b\u0103t\u0103lie a fost na\u0219terea. Eu voiam s\u2011o includ, el nici nu voia s\u0103 aud\u0103. Ne\u2011am certat toat\u0103 ziua aceea \u0219i jum\u0103tate din ziua urm\u0103toare. Spunea c\u0103 n\u2011are nici o leg\u0103tur\u0103 cu el. Ulterior am \u00eenceput s\u0103\u2011l \u00een\u021beleg, dar, la momentul acela, atitudinea lui mi se p\u0103rea o dovad\u0103 inexplicabil\u0103 de \u00eenc\u0103p\u0103\u021b\u00e2nare \u0219i rea\u2011voin\u021b\u0103\u00a0\u2013 de\u00a0parc\u0103 n\u2011ar fi vrut ca memoriile s\u0103\u2011i fie consemnate\u00a0pe h\u00e2rtie. Sigur, nici nu voia a\u0219a ceva, dar nu asta era problema lui. Sau, \u00een general, problema. De\u2011abia mai t\u00e2rziu, mult mai t\u00e2rziu, mi\u2011am dat seama, c\u00e2nd am ajuns s\u0103\u2011mi fie team\u0103 c\u0103 \u00eenceputul acelei c\u0103r\u021bi era \u0219i sf\u00e2r\u0219itul meu.<\/p>\n

Prea t\u00e2rziu, cu alte cuvinte.<\/p>\n

\u00cen ultima vreme m\u0103 mul\u021bumesc cu reality\u2011show\u2011urile. Simt un gol, o singur\u0103tate care m\u0103 doare, m\u0103 d\u0103 peste cap. \u0218i m\u0103 \u00eensp\u0103im\u00e2nt\u0103. \u0218i m\u0103 face s\u0103 m\u0103 \u00eengrozesc la g\u00e2ndul c\u0103 n\u2011am tr\u0103it cu adev\u0103rat. Reality\u2011show\u2011urile nu au acest efect asupra mea.<\/p>\n

Pe atunci \u00eens\u0103, totul era vag. Unii se temeau c\u0103 m\u2011a\u0219 putea apuca din nou de literatur\u0103. Adic\u0103 de alegorie, simbol, tropii d\u0103n\u021buitori ai timpului; de c\u0103r\u021bi f\u0103r\u0103 un \u00eenceput \u0219i un sf\u00e2r\u0219it precis sau cel pu\u021bin nu \u00een aceast\u0103 ordine. Adic\u0103 impus\u0103 de editor, un ins cu un nume nea\u0219teptat, Gene Paley[1]<\/sup><\/a>. Care, \u00een privin\u021ba asta, fusese foarte clar: trebuia s\u0103 spun o poveste simpl\u0103 la modul simplu \u0219i, acolo unde nu era simpl\u0103\u00a0\u2013 c\u00e2nd ajungeam la complexitatea infrac\u021biunii spectaculoase\u00a0\u2013 s\u0103 simplific, s\u0103 folosesc elementul anecdotic \u0219i s\u0103 evit frazele mai lungi de dou\u0103 r\u00e2nduri.<\/p>\n

La editur\u0103 se \u0219optea c\u0103 lui Gene Paley \u00eei era fric\u0103 de literatur\u0103. \u0218i nu f\u0103r\u0103 un motiv \u00eentemeiat. \u00cen primul r\u00e2nd, fiindc\u0103 nu se vinde. \u00cen al doilea r\u00e2nd, fiindc\u0103, pe bun\u0103 dreptate, pune \u00eentreb\u0103ri la care nu poate r\u0103spunde. \u00cei descump\u0103ne\u0219te pe cititori cu ceea ce le spune despre ei, ceea ce, \u00een ultim\u0103 instan\u021b\u0103, e rareori o chestie s\u0103n\u0103toas\u0103. Le reaminte\u0219te c\u0103 via\u021ba te \u00eenva\u021b\u0103 ce este e\u0219ecul \u0219i c\u0103 a nu \u00een\u021belege acest lucru este ignoran\u021b\u0103 cras\u0103. Poate c\u0103 \u00een toate astea e un pic de transcenden\u021b\u0103 sau \u00een\u021belepciune, \u00eens\u0103 Gene Paley nu avea treab\u0103 cu transcenden\u021ba. Gene Paley nu avea ochi dec\u00e2t pentru c\u0103r\u021bile care\u2011\u021bi spun dou\u0103\u2013trei lucruri iar \u0219i iar. Dar, de preferat, unul singur.<\/p>\n

Ca s\u0103 vinzi, spunea Gene Paley, trebuie s\u0103 spui o poveste.<\/p>\n

Am deschis din nou manuscrisul \u0219i am recitit primele r\u00e2nduri.<\/p>\n

Pe 17 mai 1983, am semnat cererea de angajare pe postul de responsabil cu protec\u021bia muncii (supervizor) (clasa 4\/5) \u00een cadrul Serviciului de Protec\u021bie a Muncii din Australia cu dou\u0103 cuvinte, Siegfried Heidl, \u0219i astfel a\u00a0\u00eenceput noua mea via\u021b\u0103. <\/em><\/p>\n

De\u2011abia mult mai t\u00e2rziu am descoperit c\u0103 existen\u021ba lui Siegfried Heidl \u00eencepuse \u00een ziua \u00een care semnase cererea de angajare, a\u0219a c\u0103\u00a0\u2013 la drept vorbind\u00a0\u2013 scrisesem adev\u0103rul. Dar trecutul este mereu imprevizibil \u0219i, dup\u0103 cum aveam s\u0103 aflu, faptul c\u0103 Heidl rareori min\u021bea era unul dintre harurile pe care, ca escroc inveterat, le avea cu prisosin\u021b\u0103.<\/p>\n

\u00cen opinia lui Ziggy Heidl, manuscrisul lui de dou\u0103sprezece mii de cuvinte\u00a0\u2013 teancul sub\u021bire de h\u00e2rtii de care \u00ee\u0219i sprijinea frecvent m\u00e2na \u00eentins\u0103, ca pe o minge de baschet care trebuia b\u0103tut\u0103 de podea \u0219i repus\u0103 \u00een joc\u00a0\u2013 con\u021binea tot ce era interesant despre Ziggy Heidl. Sarcina mea ca scriitor, a continuat el, era doar s\u0103 stilizez frazele \u0219i poate s\u0103 le extind ici \u0219i colo, \u00een numele lui.<\/p>\n

A spus asta, ca \u0219i multe altele, at\u00e2t de \u00eencrez\u0103tor, at\u00e2t de convins, \u00eenc\u00e2t mi\u2011a venit greu s\u0103\u2011i atrag aten\u021bia, cum am \u0219i f\u0103cut, c\u0103 manuscrisul lui nu pomenea nimic despre copil\u0103rie, despre p\u0103rin\u021bi \u0219i nici m\u0103car anul na\u0219terii. R\u0103spunsul mi\u2011l amintesc \u0219i acum, dup\u0103 at\u00e2\u021bia ani.<\/p>\n

Via\u021ba nu e o ceap\u0103 pe care s\u2011o descoje\u0219ti, un palimp\u00adsest pe care s\u0103\u2011l razi bine ca s\u0103 dai de sensul ini\u021bial, mai adev\u0103rat. E o inven\u021bie ce nu se sf\u00e2r\u0219e\u0219te niciodat\u0103.<\/p>\n

\u0218i, c\u00e2nd probabil am r\u0103mas uimit de felul nea\u0219teptat \u00een care se exprimase, Heidl a ad\u0103ugat, de parc\u0103 mi\u2011ar fi ar\u0103tat unde e WC\u2011ul public: Tebbe. E unul din aforismele lui.<\/p>\n

Absen\u021ba faptelor o suplinea cu o convingere voa\u00adlat\u0103,\u00a0iar absen\u021ba convingerii o suplinea cu fapte, chiar dac\u0103 cele mai multe erau inventate, \u0219i cu at\u00e2t mai plauzibile cu c\u00e2t erau invocate dezinvolt dintr\u2011o perspectiv\u0103 nea\u0219teptat\u0103.<\/p>\n

Marele instala\u021bionist german, a ad\u0103ugat Heidl. Tomas Tebbe.<\/p>\n

Habar n\u2011aveam ce este un palimpsest. Sau cine e Tebbe sau ce este sau cu ce se ocup\u0103 un instala\u021bionist, drept care i\u2011am spus. Heidl a t\u0103cut. Poate, a\u0219a cum mi\u2011a zis cu alt prilej, lu\u0103m c\u00e2te ceva din trecutul nostru \u0219i din trecutul altora \u0219i ni\u2011l \u00eensu\u0219im, ca pe ceva nou, iar acel ceva nou este \u0219i memoria noastr\u0103. Tebbe, pe care l\u2011am citit peste mul\u021bi ani, exprima asta cel mai bine: Chiar dac\u0103 s\u00e2ngele altuia \u00eembib\u0103 lutul, scria el, eu sunt lutul acela.<\/p>\n

Am ridicat ochii.<\/p>\n

Din curiozitate, am \u00eentrebat eu, unde anume ai copil\u0103rit \u00een Germania?<\/p>\n

Germania? a repetat Ziggy Heidl privind pe fereastr\u0103. Acolo am ajuns de\u2011abia c\u00e2nd aveam dou\u0103zeci \u0219i \u0219ase de ani. Doar \u021bi\u2011am spus c\u0103 am copil\u0103rit \u00een partea de sud a Australiei.<\/p>\n

Dar vorbe\u0219ti cu accent german.<\/p>\n

Corect, a zis Ziggy Heidl. \u0218i, c\u00e2nd \u0219i\u2011a \u00eentors fa\u021ba buc\u0103lat\u0103 din nou spre mine, am \u00eencercat s\u0103 nu m\u0103 uit la mu\u0219chiul acela mic din obrazul altfel pufos, care tres\u0103rea la fiecare z\u00e2mbet, singurul loc tare \u00een at\u00e2ta moliciune, ce p\u0103rea s\u0103 pulseze.<\/p>\n

\u0218tiu c\u0103 e ciudat, dar asta e\u00a0\u2013 am copil\u0103rit cu p\u0103rin\u021bi care vorbeau germana, f\u0103r\u0103 tovar\u0103\u0219i de joac\u0103. Dar eram fericit. Scrie asta.<\/p>\n

Z\u00e2mbea.<\/p>\n

Z\u00e2mbetul lui: masca unei complicit\u0103\u021bi sinistre.<\/p>\n

Poftim? am \u00eentrebat eu.<\/p>\n

Asta.<\/p>\n

Poftim?<\/p>\n

Scrie: Eram fericit.<\/p>\n

Z\u00e2mbetul acela \u00eenfrico\u0219\u0103tor. Obrazul acela care tres\u0103rea.<\/p>\n

Bum\u2011bum, f\u0103cea \u00een t\u0103cere. Bum\u2011bum.<\/p>\n

2<\/p>\n

Lucram \u00een biroul de pe col\u021b al unui director executiv, \u00een sediul unei edituri din Port Melbourne. Poate fusese biroul unui director editorial sau al unui director de v\u00e2nz\u0103ri, pensionat sau concediat de cur\u00e2nd. Cine \u0219tie? Nu am aflat, dar biroul \u00eel f\u0103cea pe Ziggy Heidl s\u0103 se simt\u0103 important, ceea ce era important, de\u0219i faptul c\u0103 m\u0103 sim\u021beam stingher acolo \u00eei sc\u0103dea din importan\u021b\u0103. Era anul 1992, un timp at\u00e2t de apropiat, iar acum at\u00e2t de \u00eendep\u0103rtat, c\u00e2nd directorii executivi \u00eenc\u0103 mai aveau astfel de birouri, cu dulapuri pline de b\u0103uturi; \u00eenainte de Amazon \u0219i de c\u0103r\u021bile \u00een format electronic; \u00eenainte ca sintagme precum analitic\u0103 granular\u0103<\/em>, satisfacerea clientului<\/em> \u0219i standardizarea lan\u021burilor de aprovizionare <\/em>s\u0103 se lege tot mai str\u00e2ns, ca inelele din funia unui sp\u00e2nzurat; \u00eenainte ca valoarea propriet\u0103\u021bilor imobiliare s\u0103 creasc\u0103 ne\u00eencetat, iar pr\u0103bu\u0219irea industriei editoriale s\u0103 duc\u0103 la transformarea birourilor \u00een linii de asamblare ca ni\u0219te abatoare, unde angaja\u021bii stau \u00eenghesui\u021bi pe ni\u0219te b\u0103nci lungi ce amintesc de o cantin\u0103 a Armatei Ro\u0219ii din Kabul, de prin 1979.<\/p>\n

\u0218i, tot ca Armata Ro\u0219ie \u00een aceea\u0219i perioad\u0103, industria editorial\u0103 stagna total, o stare pe care unii o numeau criz\u0103, iar al\u021bii boal\u0103 \u00een faz\u0103 terminal\u0103. Sub locul \u00een care st\u0103teau angaja\u021bii editurilor ap\u0103reau at\u00e2t de multe g\u0103uri l\u0103sate de cei pu\u0219i pe liber \u00eenc\u00e2t, nu peste mul\u021bi ani, aceste g\u0103uri s\u2011au pref\u0103cut \u00eentr\u2011o p\u00e2lnie mare prin care cele c\u00e2teva etaje ale editurii au luat\u2011o brusc la vale \u0219i s\u2011au f\u0103cut praf, comprim\u00e2ndu\u2011se \u00eentr\u2011un singur nivel. Apoi acel nivel, la r\u00e2ndul lui, a \u00eenceput s\u0103 se restr\u00e2ng\u0103 pe m\u0103sur\u0103 ce o mare de firme aflate la \u00eenceput de drum \u0219i companii financiare invada spa\u021biul editurii\u00a0\u2013 un ocean de nest\u0103vilit, distrug\u0103tor<\/em>\u00a0\u2013 p\u00e2n\u0103 c\u00e2nd spa\u021biul s\u2011a \u00eenju\u00adm\u0103t\u0103\u021bit \u0219i, pe acea insul\u0103 aflat\u0103 pe cale de dispari\u021bie, c\u0103r\u021bile au
\ndevenit numai con\u021binut, iar scriitorii numai furnizori de con\u021binut, material neglijabil, membri ai unei caste tot mai hulite, dac\u0103 e posibil a\u0219a ceva. Toate acestea poate sugereaz\u0103 c\u0103 scriu cu oarecare nostalgie, c\u0103 biroul din Port Melbourne avea farmec sau caracter.<\/p>\n

Nu scriu.<\/p>\n

Nu avea.<\/p>\n

Chiar dac\u0103 \u00een birou erau corpuri de bibliotec\u0103, la o privire mai atent\u0103 aceste corpuri sem\u0103nau cu industria editorial\u0103, descurajante. Rafturile erau din lemn moale, dat cu furnir de tek, un cafeniu gre\u021bos, fecal, ce ar\u0103ta mai mult a plastic. Doar c\u0103r\u021bile publicate de editur\u0103\u00a0\u2013 pe atunci atotputernica Schlegel TransPacific (sau, cum i\u00a0se mai spunea, TransPac sau STP)\u00a0\u2013 umpleau rafturile. C\u0103r\u021bi despre ciocolat\u0103, gr\u0103din\u0103rit, mobil\u0103, istoria militar\u0103, despre celebrit\u0103\u021bi obosite; c\u0103r\u021bi de memorii anoste \u0219i romane de aventuri\u00a0\u2013 cu o mic\u0103 parte din profiturile aduse de ele se publicau cele c\u00e2teva c\u0103r\u021bi care, pentru mine, erau c\u0103r\u021bi adev\u0103rate\u00a0\u2013 romane, eseuri, poezii, proz\u0103 scurt\u0103\u00a0\u2013 care nu\u2011\u0219i g\u0103seau locul pe acele rafturi bine lustruite. L\u00e2ng\u0103 ele \u0219i l\u00e2ng\u0103 c\u0103r\u021bile de bucate, cele ilustrate \u0219i cele de referin\u021b\u0103, care \u00eenc\u0103 se mai c\u0103utau, tronau operele complete ale lui Jez Dempster, pe fiecare tom c\u00e2t o c\u0103r\u0103mid\u0103 st\u00e2nd scris cu litere mari, aurii, JEZ DEMPSTER. Ce maculatur\u0103! Ce priveli\u0219te dezolant\u0103! Atunci mi\u2011am dat seama pentru prima dat\u0103 c\u0103 ideea mea despre c\u0103r\u021bi, despre scris, era o parte ne\u00eensemnat\u0103, aproape f\u0103r\u0103 succes, a ceea ce la STP trecea drept\u00a0\u2013 jum\u0103tate \u00een glum\u0103, jum\u0103tate \u00een serios\u00a0\u2013 meseria.<\/em><\/p>\n

Meseria<\/em> explica totul. De\u0219i cuvinte precum \u201ea\u0219a e<\/em>\u2011n meseria asta\u201c sau \u201emeseria asta\u2011i pe duc\u0103<\/em>\u201c nu\u2011\u021bi spuneau nimic, se \u00een\u021belegea de la sine c\u0103 trebuie s\u0103 explice totul. \u0218i chiar din prima zi am \u00een\u021beles c\u0103, \u00eentr\u2011un fel, cei din meserie<\/em> considerau c\u0103 felul \u00een care urma s\u0103 rescriu povestea lui Heidl avea s\u0103 produc\u0103 o carte mult mai real\u0103 dec\u00e2t cartea real\u0103 pe care credeam c\u0103 o scriu, cartea real\u0103 fiind primul meu roman neterminat.<\/p>\n

Situa\u021bia nu mi se p\u0103rea logic\u0103 dar, pe de alt\u0103 parte, nici meseria <\/em>nu mi se p\u0103rea logic\u0103. De pild\u0103, nu mi se p\u0103rea logic ca memoriile lui Heidl s\u0103 fie\u00a0\u2013 din motive pe care nu le puteam ghici\u00a0\u2013 secrete. Nimeni de la editur\u0103 nu trebuia s\u0103 \u0219tie, \u00een afar\u0103 de cei c\u00e2\u021biva care lucram la carte\u00a0\u2013 Gene Paley, de\u0219i ca editor l\u0103sa aproape totul \u00een seama redactorului de carte, Pia Carnevale, \u0219i \u00eenc\u0103 vreo dou\u0103 persoane. Versiunea oficial\u0103 era c\u0103 ne ocup\u0103m de o\u00a0antologie de poezii populare din Westfalia medieval\u0103. Nu mai \u0219tiu a cui era minciuna\u00a0\u2013 a lui Ziggy Heidl sau a lui Gene Paley la \u00eenceput, sau a mea mai t\u00e2rziu\u00a0\u2013 dar era pe c\u00e2t de frapant\u0103, pe at\u00e2t de absurd\u0103. Motivul pentru care editura se angajase \u00eentr\u2011un astfel de proiect nu st\u00e2rnise, din c\u00e2te \u0219tiu, curiozitatea nim\u0103nui. \u00centr\u2011un domeniu plin de neprev\u0103zut era doar o alt\u0103 ciud\u0103\u021benie\u00a0\u2013 dar a\u0219a ceva f\u0103cea parte din meserie<\/em>, nu?<\/p>\n

Mobilierul se \u00eencadra \u00een acela\u0219i stil pre\u021bios\u00a0\u2013 masa de lucru laminat\u0103, ce imita stilul edwardian, din spatele c\u0103reia Ziggy Heidl vorbea tot timpul la telefon, era prea mare, \u00een timp ce masa la care aveau loc \u0219edin\u021bele, la care lucram eu, era prea mic\u0103 pentru to\u021bi cei convoca\u021bi. Scaunele tubulare, p\u0103tate, erau \u00eembr\u0103cate \u00een nailon jacard, \u00eentre\u021besut cu fire de p\u00e2nz\u0103 cenu\u0219ie. La atingere, materialul p\u0103rea c\u0103 se tope\u0219te. Nu \u0219tiu de ce, dar culoarea aceea chinuit\u0103 m\u0103 ducea cu g\u00e2ndul la un tablou de Francis Bacon[2]<\/sup><\/a>. Mi se p\u0103rea c\u0103 stau pe un \u021bip\u0103t mut.<\/p>\n

[1]<\/sup><\/a>\u00a0 \u00cen limba englez\u0103, gene<\/em>\u00a0\u2013 gen\u0103; paley<\/em>\u00a0\u2013 t\u00e2rf\u0103 bronzat\u0103 bine
\n[2]<\/sup><\/a>\u00a0 Pictor irlandez (1909\u20131992), autor al unor tablouri dominate de grotesc<\/p>\n

\n


\nCartea va fi disponibil\u0103 \u00een cur\u00e2nd la editura Litera<\/a>>><\/strong><\/p>\n<\/blockquote>\n

SerialReaders.com\u00a0<\/span><\/strong>folose\u0219te unelte de marketing afiliat. Cump\u0103r\u00e2nd prin link-urile pe care le recomand\u0103m, site-ul nostru prime\u0219te un comision din partea retailerilor pe care \u00eei promov\u0103m.\u00a0<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u0103 anun\u021b\u0103m o nou\u0103 apari\u021bie semnat\u0103 de Richard Flanagan, c\u00e2\u0219tig\u0103tor Man Booker pentru O cale \u00eengust\u0103 spre nordul \u00eendep\u0103rtat – Persoana \u00eent\u00e2i –\u00a0, \u00een traducerea lui Petru Iamandi. Cartea va fi disponibil\u0103 la T\u00e2rgul Interna\u021bional\u00a0Gaudeamus, la standul editurii Litera. Kif…<\/p>\n","protected":false},"author":17,"featured_media":30698,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5203],"tags":[639,4276,5187,4935,76],"class_list":["post-30690","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-avanpremiera","tag-club-de-carte","tag-featured","tag-persoana-intai","tag-richard-flanagan","tag-serial-readers"],"acf":[],"yoast_head":"\nPersoana \u00eent\u00e2i, de Richard Flanagan (fragment \u00een avanpremier\u0103)<\/title>\n<meta name=\"description\" content=\"V\u0103 anun\u021b\u0103m o nou\u0103 apari\u021bie semnat\u0103 de Richard Flanagan, c\u00e2\u0219tig\u0103tor Man Booker pentru O cale \u00eengust\u0103 spre nordul \u00eendep\u0103rtat - Persoana \u00eent\u00e2i -\u00a0, \u00een traducerea lui Petru Iamandi. 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